First Review of AI-Generated Feature Film 'Am I?' Released

**UNKEPT (2026)** explores a fundamental contradiction in AI image generation. Artist Kevin Abosch prompted three AI systems—ChatGPT 4o, FLUX.2 Flex, and Grok Imagine—to create "unkept photographs": accidental shots, blurry frames, images meant for deletion. **The core insight**: Every "throwaway" image in training data was actually kept. Truly deleted photos leave no trace for AI to learn from. Each system produced different interpretations: - Body parts blocking the lens (fingers, hands, feet) - Messy room details (tangled cables, baseboards, shoes) - Life detritus (receipts, notes, bottles) The work highlights an **unverifiable loop**: AI can only simulate discarded images from what survived. The "unkept" is built entirely from the kept. This unverifiability isn't a flaw—it's the point. The project reveals how AI training data shapes what machines can imagine, even when asked to picture absence.

**Kevin Abosch** unveils *Testing Ground (e2.12)*, a new synthetic photograph printed on alu-Dibond measuring 200 x 150 cm. The work is released as a **limited edition of 3 + 2 artist proofs**, continuing Abosch's exploration of AI-generated imagery that began in 2015. This follows his recent activities including: - A 312-page monograph featuring synthetic photographs from 2015-2025 - Book signing at Paris Photo Fair in November - Previous untitled synthetic work from his custom diffusion model The piece represents Abosch's ongoing investigation into **synthetic photography** and digital art creation through machine learning processes.

**Artist Kevin Abosch** explores the duality of flight in his latest work, describing jet planes as embodying contradictions between **freedom and control, grace and wreckage**. In his artistic vision, Abosch transforms mechanical aircraft into something more organic - **"less a machine than a body remembering flight."** This perspective offers a poetic interpretation of aviation, viewing planes not as mere technology but as vessels carrying the memory and essence of human flight aspirations. The artist's approach suggests a deeper meditation on how we relate to machines that enable our dreams of soaring.

Artist Kevin Abosch has released his first open-edition artwork, building on his COMMENT-OUT series from 2021. The piece engages with ongoing discussions about open editions in digital art markets and their impact on value perception. - The work invites collectors to interpret its meaning and value - Follows Abosch's previous exploration of market dynamics - Represents a significant shift in the artist's approach to editions The release timing coincides with broader conversations about liquidity in digital art markets and collecting practices.

Kevin Abosch's artwork explores the power of language and rhetoric in shaping political narratives and social movements. The piece connects to his earlier work examining how words can escalate into violence. Key aspects: - Builds on themes from When Rhetoric Leads To Wholesale Slaughter - Questions the role of semantics in political discourse - Part of broader artistic commentary on social movements The work invites viewers to reflect on how language choices influence public perception and political outcomes. It particularly examines the term insurrection and its evolving meaning in contemporary discourse.