📚 Canadian Cultural Icons Honored

**Digital artist EEPMON's solo exhibition is now open at Tokyo's Prince Takamado Gallery** The show, titled *Digital Worlds: The Generative Art of EEPMON*, runs until May 12th at the Canadian Embassy in Japan. The artist recently shared behind-the-scenes footage of the installation process. **Exhibition highlights:** - Featured in Tokyo Shimbun, a major Japanese newspaper - Visited by Canadian Ambassador Ian McKay during installation - [Exhibition guide available for download](https://oaggao.ca/wp-content/uploads/2025/12/prince-takamado-gallery_eepmon-artworks.pdf) The gallery showcases EEPMON's generative art, drawing inspiration from Tokyo's urban landscapes.

The Prince Takamado Gallery at the Canadian Embassy in Japan has released a downloadable exhibition guide for eepmon's artworks. **Key Details:** - Exhibition guide available as [PDF download](https://oaggao.ca/wp-content/uploads/2025/12/prince-takamado-gallery_eepmon-artworks.pdf) - Features digital artist eepmon's work at the gallery - Accompanied by an introductory video for the exhibition space The guide provides visitors with detailed information about the displayed pieces.

A new generative motion graphics artwork uses historical data from Canada's Register of Chinese Immigrants (1886-1949) to expose discriminatory immigration policies. The piece incorporates **transcribed head tax data** from University of British Columbia research, creating randomized visuals that cascade across screens. The flashing text evokes anxiety from bureaucratic oversight, while digital waves symbolize hope and opportunity. **Key elements include:** - Train track imagery honoring Chinese railway workers - Never-repeating generative output reflecting silenced voices - Data visualization of systemic surveillance The artwork complements a related mural project that draws on the same archival research and community conversations. Both pieces address Canada's dark immigration history, including the Chinese Head Tax and 1923 Exclusion Act. The generative nature ensures each viewing is unique, inviting reflection on individual resilience amid oppressive systems. [Learn more about the project](https://www.canada.ca/en/library-archives/corporate/about-us/strategies-initiatives/creator-residence/final-project-showcase.html)

Digital generative artist **eepmon** testified before the House of Commons Standing Committee on Canadian Heritage regarding AI's effects on creative industries. The artist appeared as an individual witness, sharing their personal journey in digital generative art. The testimony focused on how AI technology impacts creative professionals and the broader creative sector. **Key highlights:** - First-time parliamentary testimony experience - Discussed personal perspective as digital artist - Engaged with committee members' questions - Connected with other creative industry witnesses The committee hearing represents ongoing government efforts to understand AI's role in Canada's creative economy. eepmon expressed gratitude for the invitation and meaningful dialogue with parliamentary members. This follows the artist's previous participation in creative industry discussions, including the GEI: ART Symposium with the National Association of Japanese Canadians.

A House of Commons document viewer link has been shared, directing to meeting notice 11 from the CHPC (Canadian Heritage Committee) during the 45th Parliament's 1st session. The link appears to be part of ongoing parliamentary proceedings, following previous town hall broadcasts that were shared in October 2024. - **Meeting**: CHPC meeting 11 notice - **Parliament**: 45th Parliament, 1st Session - **Platform**: Official House of Commons document viewer This represents continued engagement with Canadian parliamentary processes and committee work.